![]() Then, choose Clip > Modify > Audio Channels (shortcut Shift+G). (Yes, you can apply this setting to multiple clips at once!) In the Project panel, select the clip, or clips, you want to modify. ![]() Once it’s in the Timeline, it’s too late. ![]() But you need to make these changes before you edit a clip into the Timeline. This type of clip is treated the same as a two-person interview clip where I need separate control over each channel. NOTE: In this example, I have audio on channel 1, with no audio on channel 2. I need separate control over each channel But, how? If you edit a stereo or mono clip into the track, the track automatically conforms to the number of channels in the clip. But… what if you don’t want it to conform the channels? For example, almost every interview I shoot is recorded “dual-channel mono,” where the host is on channel 1 and the guest is on channel 2 and both channels are supposed to be panned center.įrom the point of view of Premiere, this looks like a 2-channel stereo clip which would get placed into one track. The problem with the new Standard audio type is that it works too well. ![]() Recently, I wrote an article discussing the new audio types in Premiere Pro CC (you can read it here). ![]()
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March 2023
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